Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Friday, December 10, 2010

Graphic Novels and comic books

This comes from an article, "Comics and Graphic Novels" by Samantha Cleaver, in the Scholastic Instructor magazine (May/June 2008).
"Comic books can be a great way to pique reluctant readers' interest and challenge those students who are fluent in more traditional literature."
"If we show kids how the written word actually has a visual component to it...and teach kids how to think that way, I think they'll become much better writers. Their word choice is much richer, and their creativity is boundless."
"Kids are at ease with combining visual and text information, and as new media becomes mainstream, comic books offer a way to reinforce traditional grammar and spelling within a layout that's familiar to kids."
"Writing comics asks kids to be writers, editors, and artists all at once."
Some ideas for using graphic novels and comic books in teaching:
  • Comics are all about sequence. You could use a comic/graphic novel to illustrate the sequence/plot line of a story. They can also be used to teach character development, setting, theme, and any other story element.
  • Comics are all about inferences. Between panels and within panels, the reader must make inferences in order to understand the story.
  • Have students write a story or essay and then convert their writing into a comic book format. For example, students may write a metacognitive essay on things they do that help them to understand what they are reading. They then need to convert that to a comic strip. You could then take all of the comic strips and create a class book of reading strategies.
  • You could use the storyboard format of comic strips to help students as a pre-writing strategy before doing a story or multimedia project such as a PowerPoint presentation or digital storytelling.
  • You can use comic books and graphic novels as supplements to support a theme of a novel or short story that you are reading. Many of the classics have been converted to graphic novels. For example, you could use a graphic novel version of Romeo and Juliet to help students understand the story as you read Shakespeare's words.
  • Make your last unit of the school year a comic book unit. Have students write an essay about they did and learned in your class that year and then convert it into a comic strip. Then compile all of the comic strips into a book for the class.
  • Have students create comic strips about themselves as a getting to know you activity.
  • Use comic books to teach onomatopoeia or dialogue.
  • Use comics to study a time period. For example, if you are reading a novel that takes place in the 50's, you could look at the Archie Americana series and Archie classics as anthropologists and list clues of what life was like back then based on what you find in the comic.
Here are some resources that might help in incorporating comics and graphic novels in your classroom:
  • www.graphicclassics.com
  • Comic Life--most Macs come with this program as part of the package. Students can take pictures on the computer, import pictures from the web, or just print out the frames and draw their own pictures.
  • The Bone series by Jeff Smith. Not one of my favorites, but the kids seem to like it.
  • Mouse Guard by David Petersen. Hero's journey, knights of the round table, fantasy...all with mouse characters.
  • American Born Chinese by Gene Yang. One of the BEST graphic novels out there. There are three parallel plotlines that weave together. This book addresses issues of race, stereotypes, and acceptance. A few years ago, I was on my district's book approval committee which decides whether or not a book can be used in a classroom setting. This book was not approved because many parents felt that it was too racial and most of these parents were still holding onto the idea that graphic novels aren't literature. I don't think they read the book. Too bad because it is amazing!
  • --Bubbler: http://www.pimpampum.net/bubblr/ (Image drop easy create your own comic strip).
  • http://www.bitstrips.com/ (you can create yourself as a cartoon character or create other characters and create a comic strip).
  • http://www.makebeliefscomix.com (Simpler format/more limited to create comic strips).
  • Rapunzel's Revenge and Calamity Jack by Shannon Hale. This is a twist on two classic fairytales. Great graphics and storyline.
  • http://library.buffalo.edu/libraries/asl/guides/graphicnovels/

Friday, October 22, 2010

Kristen Chandler-Author

This is from a guest author, Kristen Chandler's, presentation at the UCTE/LA conference at Brigham Young University, Provo, Utah.

Her book (that I am excited to read) is: Wolves, Boys, and Other Things that Might Kill Me





--became published when she quit trying to be a writer and went back to being a storyteller.
--literacy grows us and the world we live in.
--need to find something meaningful that you love to write about.
--reading and writing helps kids do big things.
--create space through language.
--find space in our students' media bombarded, cluttered minds.
--find the character and write for the character.
--on revision: you have to trust that it can be better.

Using Technology in Writing and Reading

This is from the UCTE/LA conference at Brigham Young University, Provo, Utah.
A Teacher's Digital Life: How to Use Technology in a Writing and Reading Classroom--Mat Wenzel
Reasons teachers should use technology in the classroom:
It's the language of the natives.
It's easier to share/adapt files.
It's what kids know/ are familiar with.
It can be a reluctant learner magnet.
It is part of the work place and global economy.

Why teachers don't use technology in the classroom:
Intimidated/afraid.
Lack of resources/access to computers.
Too complicated.
Requires extra time/too time consuming.
"It's just bells and whistles."

Social networking (for book nerds):
www.librarything.com
www.goodreads.com
www.shelfari.com
You can export your libraries as an Excel spreadsheet from one site to another.
You can have students do this, starting with adding the books you are reading in class, to create a classroom community.

Google-many resources besides just searching!

data storage site: www.dropbox.com

http://cogdogroo.wikispaces.com/StoryTools
--Bubbler: http://www.pimpampum.net/bubblr/ (Image drop easy create your own comic strip).
http://www.bitstrips.com/ (you can create yourself as a cartoon character or create other characters and create a comic strip).
http://www.makebeliefscomix.com (Simpler format/more limited to create comic strips).
He had students use bitstrips to create a comic strip of themselves and tell about themselves and what they will contribute to the class at the beginning of the year.

Mat Wenzel's website/blog:
http://www.misterdoubleyou.com
http://weber.k12.ut.us/mawenzel

Literacy with an Attitude-Patrick J. Finn (A recommended book).

The Reading/Writing Connection

This is from the keynote speaker at the UCTE/LA conference at Brigham Young University, Provo, Utah.
The Reading/Writing Connection: A Cognitive Strategies Approach to Teaching Interpretive Reading and Analytical Writing in Secondary School--Carol Booth Olson, cbolson@uci.edu
Writing analytically--many students are struggling with this because they don't get enough practice.
'Create movies of the mind'
How do we help all of our students to be there? To be strong, strategic, independent readers and writers?
Acts of mind in reading and writing (common characteristics of experienced writers and readers):
  • engagement, become one/get inside the process
  • visualize
  • aware of process
  • slow down, speed up as the task requires
  • are actively engaged in constructing meaning;
  • go back to go forward in a recursive process (being a good reader isn't a really fast, one shot deal);
  • interact and negotiate with each other (reader and writer keep each other in mind);
  • are motivated and self-confident;
  • use skills automatically;
  • access a common tool kit of cognitve strategies, including planning & setting goals, tapping prior knowledge, etc.
Need to teach students three types of knowledge:
  • Declarative Knowledge
  • Procedural Knowledge
  • Conditional Knowledge
Reading/Writing Tool Kit (Cognitive Strategies):
  • Planning and setting goals
  • Tapping into Prior Knowledge
  • Making predictions
  • Adopting an Alignment
  • Making Connections
  • Evaluating
  • Analyzing Author's Craft
  • Summarizing
  • Clarifying
  • Forming Interpretations
  • Monitoring
  • Visualizing
  • Asking questions
  • Revising Meaning
Examples of a Strategic activities:
  1. Bring/describe four items in your house.
  2. Peers write what these items might say about you.
  3. Student writes what they think these things might say to others.
Highlight reading or writing analyses:
  1. yellow: plot summary/just the facts
  2. green: supporting detail
  3. blue: commentary/opinions
Resources:

The Reading/Writing Connection-Carol Booth Olson
You Gotta be the Book
-Jeff Wilhelm
It's Never Too Late-Janet Allen

Saturday, September 18, 2010

Perspective and Detail: Teaching Students to Zoom

Today I attended a mini-workshop organized by the Central Utah Writing Project(CUWP). (Some other time I need to write about my experience with CUWP last summer. It was an AMAZING experience!) There were some great ideas for the classroom shared in the three sessions.This information comes from: Shauna Robertson's presentation on Perspective and Detail: Teaching Students to Zoom.
For more information, Shauna can be contacted at shauna.mymail@gmail.com.
First, Shauna began by sharing a book with us called Zoom by Istvan Banyai.


Here is an example of the first few pages:


As you read the book and each page introduces a new perspective, you come to see things differently. Each pictures zooms out from the original picture, giving you an entirely different story.
You can also use a video called Everyday Creativity with Dewitt Jones to illustrate this concept. Jones is a professional photographer and in this video, talks about how beauty can be found not only by zooming in on a particular detail, but also in zooming out for the big picture.
The video is expensive to buy and sometimes difficult to find, but at Jones' website is an introductory video clip that has the exact part of the video that you would need. The website is found at: http://www.dewittjones.com/ Click on 'Watch Dewitt Now'.
We then did the following activity:
Zoom activity
1. Have students write a description of their bedroom. Tell them they will have about 5-7 minutes to write but that is the only instruction they will receive.
Here is my writing:
Fortunately, I just cleaned my room a couple of days ago, so I won't have to describe the dog goobers on the wall or the unmade bed. Instead, I will describe the rustic bedspread patterned with black bears and pine trees, the freshly vacuumed speckled brown carpet, the family portraits hanging (slightly eschew) on the wall. Just recently I re-painted the room, transforming the white walls to a three-tone, earthy palette of sandstone, cream, and off-white. However, I do need to admit that we haven't purchased blinds yet, so currently the windows are accessorized with what I call 'Redneck's Glad`e'.
2. Zoom in. Have students draw a line under what they have written and zoom in closer. Have them picture themselves standing in the middle of the room facing just one wall. Have them extend their writing by describing what they can see from that perspective.
Here is my writing:
The wall is split in two halves by an off-white chair rail. The bottom of the wall is suede (or at least attempted suede), and the top is a cream color. It makes me think of staring really hard at the mid-section of an old cowboy wearing a cream, long-sleeve shirt and worn, leather chaps. On the wall hang two family pictures one with dad and baby, and one with mom and baby. Looking around, you could probably guess that there is one loved baby in the house.
3. Have them draw a line and now zoom in on one object that is on that one wall. Have them write again with a description from this new perspective.
My writing:
A father's day gift-the portrait hangs (slightly crooked) on the wall. A chestnut frame wraps around the collage of two pictures. In one is a picture of my two boys-my husband, looking dignified and handsome in his black suit and red tie, holding my three month-old, also looking adorable and handsome in his pin-stripe vest, green shirt, and tie. My son is a miniature version of his father with twinkling eyes and that same mischievous smile.

Discuss with students how their writing changed as they changed their perspective. Also discuss what things stayed the same. You could also discuss when being aware of your reader and his/her perspective and when it is good to get closer and examine details in writing and when it is better to step back and see the big picture.
Some of my thoughts after doing this activity:
It was interesting to see how my focus changed from each perspective. In the first writing, I was really just thinking about how messy my room is typically. In the second writing, I was focusing on imagery and how I wanted my walls to look western and rugged when I painted them. In the third writing, I was focused on my family and my love for them. I think that this would be a great activity for generating ideas, for writing a memoir, and for examining writer's craft.
When I used to teach my students Ideas and Content and, more specifically, having a main idea and then blowing it up with detail, I used a Where's Waldo picture. I would put the picture on an overhead and tell the students to write about what they see. After writing for a few minutes, we would discuss how difficult (and boring) it was to write about everything. Then I would put a paper with a small hole cut-out over the picture and again tell them to write about it. Maybe they would only be able to see a dog riding a bike and juggling. They could then expand on that image and come up with creative scenarios. We would then discuss how when we write about something, we don't want to write everything. We want to find what is most important and really focus on bringing that to life in our writing using sensory details.
I always liked having my students write a memoir at the beginning of the school year. I liked that I could read these memoirs and get to know my students a little better, and I liked that writing about one's self and examining one's life is something most of them will use through out their lives. However, many times their memoirs were so boring! Often, I received 'What I did over summer vacation' and travel logs. I often gave them the quote about how the reader doesn't want to hear about every ride in Disneyland but if one the rides broke down or someone got sick on one of the rides, that is worth hearing about. But some of them still never got it. I think this zooming in and zooming out activity could really help students figure out what they really want to write about. What made that memory stand out in their minds? What made it memorable and worth writing about?
You could also use this activity for further discussions about writer's craft. For example, I don't like the book Eragon very much. I know, I know, there are probably Eragonites hunting me down right now for saying such a thing. The story was fine but there was too much detail. I remember one scene where the characters were about to enter a room through a door. I swear there were two or three pages just describing the door, and the whole time I was shouting in my head, "Just walk through that door, for crying out loud!" I felt like the plot got bogged down in details. Another example might be the unabridged version of Les Miserables. A chapter on the sewer system? Really?
But there are times when the reader needs the details. I want to be sitting at that campfire with the characters. I want to feel its heat and hear the crackle and snap of the wood burning. I want to choke a little on the smoke and have to move to the side to get away from it. But only if it that scene is important enough that I be there with the characters. I think of really good scary stories. Many times, a scary story won't give you all the details of the 'monster'. The writer knows that we all have monsters in our minds and that the details the reader will supply from his/her own imagination is far scarier than anything you could describe as a writer. This is where many of the gore movies go wrong in trying to produce horror--too many (often cheesy) details.
Another great resource that Shauna mentioned was: Image Grammar: Using Grammatical Structures to Teach Writing by Harry Noden. You can also find some good teaching strategies at the companion website: http://www3.uakron.edu/noden/.


So many great ideas and possible discussions generated from this one activity. Thanks, Shauna!

Becoming Mechanically Inclined: Using Mentor Text and Sentence Stalking to Teach Grammar and Mechanics

Today I attended a mini-workshop organized by the Central Utah Writing Project(CUWP). (Some other time I need to write about my experience with CUWP last summer. It was an AMAZING experience!) There were some great ideas for the classroom shared in the three sessions.This information comes from: Adrienne Warren-Becoming Mechanically Inclined: Using Mentor Text and Sentence Stalking to Teach Grammar and Mechanics in Middle School.
For more information, Adrienne can be contacted at: adrienne.warren@wasatch.edu
Much of her presentation was based on ideas from Mechanically Inclined-Building Grammar, Usage, and Style into Writer's Workshop by Jeff Anderson.



First we did a little writing. Adrienne read to us the children's book, When I was Little by Jamie Lee Curtis.


The writing prompt was: When I was little...

Here's my writing:

When I was little, life was grand. Swing sets were space ships. The haystack was Mt. Everest. Flowers and weeds could be mushed together with mud to create a witch's brew. Cats were spys. Dogs were aliens. I was bursting at the seams of my imagination, going through dreams as quickly as I was clothes. I wanted to be everything. A doctor, a meteorologist, an astronaut, a rock star, a cartoon...it didn't matter what, I could be anything! Now, I'm mostly still the same, I just don't say it aloud as much.

Then Adrienne talked about how we can enhance grammar instruction in the classroom by helping students to become sentence stalkers (or sentence detectives). We need to encourage students to search for well-written sentences in their reading and in their own writing. One idea was to have a sentence of the day/week posted in the classroom. As teachers, we need to also constantly expose students to good writing, especially from their own writing. Sometimes we show students lots of bad examples but neglect to point out the really good ones! However, Adrienne mentioned that we need to also show them bad examples here and there and work with them to correct the mistakes (in my mind this does NOT mean correcting grammar mistakes each day as a class starter; it is so much more and so much better than that!). One idea is to have students look for grammar mistakes in the world around them (unfortunately, grammar mistakes are all around us). Teach them to be grammar police!

A resource for this could be The Great Typo Hunt: Two Friends Changing the World, One Correction at a Time by Jeff Deck and Benjamin D. Herson. I'm excited to check out this book. I had never heard of it until this workshop. Apparently, these two guys travel around the U.S. and fix grammar and typo mistakes.

Here are a couple examples from the book:

We also need to teach students an understanding of basic grammar rules. They don't need to know the fancy terminology necessarily, just how to use grammar to improve their writing.
Some more great resources for this are:
Eats, Shoots & Leaves-Why Commas Really Do Make a Difference!

The Girl's like Spaghetti

Twenty-Odd Ducks-Why, Every Punctuation Mark Counts!

All books are by Lynne Truss, another grammar guru.


First, students need to understand the basic sentence structure by identifying the basic component of every sentence: the subject and the verb. Who or what is doing something: subject. What is being done is the verb.
We did an activity called Sentence Smack Down to practice this. Students get in groups and in the groups, each student shares one sentence. The group then writes down the subject and verb of the sentence on two sticky notes. On the wall, hang up a poster with a T-chart with the labels 'subject' and 'verb'. The group then comes up, reads the sentence, smacks down the subject and verb, and reads the sentence again.
I think I would make this a little more competitive to make it more interesting for my middle school students. I would break the class into two groups and have two students from each group come up and be ready with a pencil and a sticky note. I would then read the sentence and the first group to write down the subject and verb and get both smacked down onto the paper would get points.

We then looked at sentence stalking and the four basic comma patterns.
Show the students the patterns and have them look in their reading and in their writing for these patterns.
Pattern #1 Opener, sentence (I would just call it Opener):
If nagging were an Olympic sport, my Aunt Buhlah would have a gold medal. (My Big Fat Greek Wedding).
Pattern #2 Sent, interrupter, ence (I would call it Interrupter):
Then there's Johanna Mason, the only living female victor from 7, who won a few years back by pretending she was a weakling. (Catching Fire, Suzanne Collins).
Pattern #3 Sent, e, n, c, e (I would call it Lister):
I wanted to be everything-a doctor, a meteorologist, an astronaut, a rock star, a cartoon...it didn't matter what. (My sentence from my earlier writing).
Pattern #4 Sentence, closer (I would call it Closer):
The boy watched the stone, counting the skips. (Walk Two Moons, Sharon Creech).
You could possibly do grammar scavenger hunts, assigning students to search for specific grammar patterns. "Today in your reading I want you to look for Listers..."
Great ideas! Thanks, Adrienne!

Wednesday, July 28, 2010

Writing Across the Curriculum

Writing Across the Curriculum: Making Your School the ‘Write’ Place


A P.E. teacher and a math teacher walk out of a faculty meeting…Sounds like the beginning of a joke, right? But here’s the rest of the scenario:

The math teacher shakes her head, “I don’t know what’s going on in the principal’s mind. Writing in every class? That’s ridiculous!”

The P.E. teacher replies, “Yeah, what are we supposed to write about in my class? The history of dodge ball? I’m sure some of my male students could write an excellent essay on why they enjoy watching the girls run laps…”

The math teacher laughs. “I’m sure they could! I think that the English teachers are just trying to cram their curriculum down our throats. Don’t they know we have our own curriculum? I think they’re bribing the principal!”

“Students don’t even bring pencils and paper to my class! They’ll rebel if I even ask them to! I’m just happy if they remember to bring a change of socks and running shoes!”

“And the grading! Like I have the time to grade a hundred essays. If I do writing in my class, then those English teachers should have to do math problems in their class!”

“And jumping jacks!”

If you have ever tried to initiate any school wide program that involves writing across several contents or writing across the curriculum, perhaps you have heard or participated in conversations similar to the conversation above. Some teachers see these programs as just one more thing on their already-overloaded teaching plate. Others see it as an overwhelming task that doesn’t pertain to their classroom. When an administrator stands in front of his/her faculty and simply announces that students will be writing in all classes, this program is bound to fail. It is true that writing is important in more than just the English classroom because, one, the more students write, the better they become as writers and, two, writing is a thinking skill and communication skill that is essential not only in school, but in life. Writing is also a universal learning tool that can be used in any classroom to teach any content and to help students be metacognitive about their learning. If it weren’t beneficial, schools across the nation wouldn’t be trying so hard to incorporate some sort of school-wide writing program, right? So why do so many schools flounder with writing across the curriculum programs? Why do so many teachers resist such a program? How do we make writing across the curriculum work?

Good questions. I don’t assume to have all the answers or a sure-fire way to fix all of the educational problems in the world, but when it comes to writing across the curriculum, the following suggestions will make school-wide writing less daunting for teachers of all contents and more effective and beneficial for students. To make writing across the curriculum work, first all teachers need to understand that not every piece of writing must be read and graded. Second, all teachers must be writers to some degree themselves. Third, teachers need to differentiate between content literacy writing and writing to learn and use both in their classrooms.

Not every piece of writing must be read and graded by the teacher.

“If the amount kids write is limited by what teachers have time to grade, there’s no way they’ll write enough to learn curriculum content” (Strong, 2006, p. 33). In reality, students should be writing every day. For this to happen, they need to have opportunities through out the day to write about different subjects and in a variety of genres—it cannot only be happening in the English classroom. With all of this writing, I’m guessing that not all teachers want to dedicate hours of their personal life to grading student writing. Surprising to students but true nonetheless, teachers indeed have a personal life, so why are we, along with our students, holding onto this image of hours of toiling over papers, red pen in hand, when that isn’t the most effective method? Even English teachers need to let go of the idea that every piece of student writing must be inspected by a teacher, like pillows on an assembly line with a tag attached to them saying who inspected them. Whether or not we grade a written assignment or the amount of time spent grading writing depends on the purpose of the writing. Was the writing assignment designed to help students learn a certain concept, to help students remember what they’ve learned, or to improve their writing skills? Some writing assignments may need a simple check off to know that the student completed the assignment. Other writings need only to be shared with the class or a partner. Maybe another writing assignment can be used to help students on a test.

In his book Write for Insight, William Strong (2006) gives an example of a fellow teacher and colleague who "used writing-to-learn in all kinds of ways--to open class, to explore concepts during class, to summarize learning at the end of class, and to anticipate reading for tomorrow’s class. Students often swapped papers and responded in dialogue fashion to each other’s ideas. All of this written work was ungraded, but points did provide an incentive for staying on task” (p. 34).

This was in a biology classroom. Notice that at no point did the teacher say, “I took home all of their 4-page essays and spent my entire weekend reading and grading them.”

We need to start look at writing assignments more as learning and thinking tools rather than weapons of mass assessment. In Vicki Spandel’s book The 9 Rights of Every Writer (2005), she states:

[Writing across the curriculum] is not usually (and should not be) assessed, but it needs to happen because it helps students use language to think clearly. We assume we know what is going on inside our own heads until we are challenged to put it on paper. That simple act brings us face to face with the fuzziness in our own thinking, the blank spaces and looming holes, the missing connections…When we read, we take in information. When we write, we refine it (p. 71-72).

Some examples of writing assignments that don’t necessarily need to be read and graded by the teacher are learning logs and journals, admit and exit slips, short writing spurts (for example, “take out your notebooks and write what connections you can make to this.”), note-taking, etc. If the sole purpose of the writing is to help students learn and remember what they learned, then the act of writing itself is enough. Imagine if every bit of writing you did was graded. How frustrating would that be! An email sent to your mother, a text to your best friend, a grocery list, a note to your principal, a thank you card for your neighbor…think how frustrating it would be to have the thank you card returned with red corrections all over it and a grade at the top! We need to move our students away from writing for a grade towards writing to learn, writing to communicate. As Deborah Dean states, “Students need to see that this writing is not an end in itself but an avenue to learning…” (2006, p.34).

All teachers need to be writers to some extent.

You’re shaking your head. Not only do English teachers want you to make your students write, but now they want you to write? When will they stop? Is it ever enough? Before you stop reading in disgust, let me explain. I’m not suggesting that every teacher sit down in a corner and write a poem or a novel. However, everyone writes in some form or another. Scientists write reports of what they found in their research and experiments. Mathematicians write how to solve an economic problem. A historian may write an analysis of a historical event using the primary sources gathered and studied. An artist may write a descriptive piece about his/her art in order to enter it in an art show. In our day-to-day busy lives, we all write—memos, notes, thoughts, lists, etc. If we didn’t write, we would still be stuck trying to figure out how to start a fire or make a round wheel!

Our students need to see their teachers writing and not just their English teachers. “When what you know about ‘people who write’ becomes what you know ‘as a person who writes’, what you know changes” (Ray, 2006). When you are able to look at yourself as a writer, you will be able to incorporate writing into your classroom learning more effectively. When you can stand before your class and write with them, your teaching will be empowered. As teachers, we shouldn’t be afraid to model writing for our students. It’s okay for students to see their teachers struggle sometimes too. We all have struggles to find the right words or to get our thoughts to mean the same on paper as they did in our heads. Students need to understand that this struggle, this process is human and that we, as teachers, are human. Imagine if students went to their seven classes each day and saw all seven of their teachers as writing models in some way. Imagine the shift of attitude that could come as students begin to see writing as needed for learning rather than just assigned for grading. That shift of attitude has to start with us first.

So how do you become a writer if the last thing you really remember writing was a report back during your glory days of college? First, take out a piece of paper and brainstorm any writing that you do, even if it’s something scribbled on a post-it-note, it’s writing. Next, brainstorm and list the kinds of writing that might be done in your field of study. This could be a great activity to do with your students! And then, after all of this brainstorming, challenge yourself to incorporate more writing in you day-to-day activities and to try new kinds of writing. Remember, no one is asking you to write a novel (not yet anyway…).

Teachers need to differentiate between content literacy writing and writing to learn and use both in their classrooms.

The third way that we can make writing across the curriculum work is to realize that there are two main types of writing in a content—content writing and writing to learn. If teachers can differentiate between these two types of writing, they can find new and more effective ways of incorporating writing into their contents.

I once had a Spanish teacher come to me with some concerns. At our school, every teacher was required to assign one writing assignment in their class once per quarter. It was nearing the end of the quarter and this Spanish teacher had forgotten to assign the writing piece. “I was going to have them do some mini-reports on Spanish-speaking countries, but we completely ran out of time!” I walked into her classroom and found her students working in pairs, writing something.

“What are they doing right now?” I asked.

“Oh, they’re just working together to write out a simple dialogue in Spanish which they will then perform in front of the class. We’ve been working on basic greeting phrases and what to say when you first meet someone.”

“Why can’t this assignment count as your writing piece? They’re writing aren’t they?”

The Spanish teacher stared at me in disbelief. “It’s really short, and it’s in Spanish! I don’t think that this is what the English teachers would approve of!”

With content writing, we must ask ourselves what literacy looks like in our content. What does a mathematician read and write? What does a scientist, an artist, a musician, a historian, a physical trainer read and write? Sometimes some content-area teachers try to give writing assignments that they think will make the English teacher happy but don’t really have anything to do with their curriculum. Their thought is, “I’ll just have my students write this report/essay/poem, so that the principal and the English teachers will leave me alone.” The assignment ends up being disconnected from the students’ learning and thus unimportant to the students and the teacher. It becomes just something else on an already full plate. But writing is everywhere—in math, science, art, music, history, P.E., technology—everywhere! Writing can look very different, however, depending on where you find it and what its purpose is. In a business memo, a businessman may be proposing a new plan using numbers and statistics (math writing) to show why this plan would be better for the company. Or a scientist might be writing to report the results of an experiment he/she just conducted and how these results will affect the world (science writing). A dietician may write a new diet plan for someone recently diagnosed with diabetes to help him/her develop a healthier lifestyle. Content writing is often over-looked in our classrooms. Granted the English teachers just love those acrostics being done in math, but the reality is that the majority of our students will not go on to have careers that involve writing poetry or short stories about the life of a cell. They will be doctors, business associates, lawyers, teachers, entrepreneurs, government officials…the possibilities are endless. Our students are always asking how what they are learning in class has anything to do with their lives. Colleges and universities are asking schools to better prepare students for the academic world where we will send many (as many as we can) of our students. Future employers are begging schools to produce better-prepared employees, people equipped with the thinking and communicating skills needed for the world at hand. We are doing a great disservice to our students when we don’t offer this variety of real-world, applicable writing to them in our classrooms.

Another reality is that only specific content teachers can teach content writing. A couple of years ago, I decided that I was going to teach my reading class, a group of struggling readers, how to read like a mathematician. I figured that many students struggle in their classes because they lack the literacy skills to learn and do the skills required for that content. If I could get them to think like a mathematician, to understand how to read like a mathematician, then they wouldn’t struggle so much with math. Here’s my background: I struggled through math my entire life. In high school, as a senior, I took algebra II again so that I wouldn’t have to take calculus. In college I took the minimal math class that a couple of years later, the college deemed not sufficient to meet the math general credit requirement. My husband jokes that I’m the only person with a Master’s degree who believes my bank statement is written in a foreign language, I try to read it, and I fall apart. Math is my kryptonite. And so with that background in mind, try to picture what it was like trying to teach math literacy in my classroom. To say the least, it was a complete failure! I wrote a rap about thinking like a mathematician, I had the students bring their math books, and from there it went downhill. That’s when I learned an important lesson: Students need to learn content literacy in their content classes. I wouldn’t hire an artist to do my taxes nor would I hire an accountant to paint a portrait of my family. Each teacher is the expert in his/her own field and it up to each teacher to teach his/her content literacy (reading and writing) in his/her classroom.

Another form of writing found in the classroom is writing to learn. This is where the math acrostics and writing a narrative about the life of a cell come in. Deborah Dean defines writing to learn in the following manner: “When you write to learn, you are not trying to show how well you write or how much you already know about a topic; you are writing to learn more” (2006, p. 33). Writing to learn activities have the specific goal of using writing to help students learn and remember a concept. The mere act of writing something down helps students remember things so much better. If a teacher has students copy down notes as they listen to a lecture or as they read, the students are more likely to retain the information than if the teacher just gave them a copy of the notes. If a teacher has a student write a summary of what they learned that day in their learning journal, the student is more likely to remember what he/she learned. William Strong describes this process in this way:

Careful writing forces me to be explicit about what is implicit—to spin out my meanings in detail. Like a spider, I must create out of myself—without any outside intervention—what something means to me…It’s by making words known to myself and others—fashioning personal knowledge—that I learn what I didn’t know I know” (163).

And the more ways that new information is presented to a student, the more interactions the students have with a new concept, the more likely they will learn it. For example, in science, a teacher shows his students a diagram of the water cycle with no labels. He has the class describe what is happening in the diagram. He then goes through the diagram and explains it as he labels each piece of the diagram. The students copy down the diagram and labels in their notes and add small notes when they have experienced that part of the water cycle (getting caught in a rain storm, watching a river rush by, boiling water on the stove, etc.). He then assigns the students into groups and has each group read a short article that relates to one of the parts of the water cycle. The groups then present a short summary to the class of what was said in their article. To sum up learning about the water cycle, the students write a short children’s book about the life of Dewey the Rain Drop. In this example, how many times have the students interacted with the new content they are learning? Using writing along with other learning tools, the teacher was able to address a variety of learning styles and to really uncover his content for his students.

The writing to learn possibilities are endless. For example, Dean gives ideas such as:

Listing and freewriting can help students prepare to learn new information as well as to articulate what they have learned. Note taking and summarizing can help students remember and make sense of what their learning. Dialogue journals and poetry can help students reframe learning to reinforce it or find new areas of inquiry (2006, p. 34).

She also lists writing ideas such as learning logs, written debates or dialogue, exit/admit slips, first-thought free-writes, written directions/instructions, stop-n-writes, summarizing, unsent letters, listing, clustering, KWL, and biopoems (2006, p. 33-34).

Writing to learn activities can be as extensive or basic as needed but shouldn’t be used as busy work. Strong gives ten writing assignment design principles. Among these principles, he suggest that teachers choose topics that encourage inventive thinking, create assignments that are purposeful and meaningful (we should ask ourselves what kind of writing we really want our students to do and whether we would want to do the assignment ourselves), be creative but also choose topics that elicit specific responses, etc. (2006, p. 98-99). As teachers begin to design writing assignments for specific purposes, they will begin to see specific results from their students.

Conclusion

As you have read this article, hopefully you have found some ideas for developing a writing across the curriculum program at your school. Writing across the curriculum is beneficial to student learning and can be done effectively. As you apply these principles in your school and classroom and as our attitudes about writing shift toward writing as a tool rather than writing for assessment or busy work, before long, perhaps you might hear a conversation like this:

A math teacher and a P.E. teacher walk out of a faculty room, and this is their conversation:

“Ever since I’ve had my students fill out exit slips at the end of class, I’ve really found direction in what and how I’m teaching. I have them write down any questions they have and what still confuses them, then the next day I address those questions. I feel like I can help them so much better now that I know what their questions are,” the math teacher says.

The P.E. teacher nods. “I’ve had my students keep a health journal at home that they bring on Fridays for check-off. They keep track of what they eat and what kinds of physical activities that they do, and at the end of the week, reflect on small changes they can make to be healthier. I think it’s really got them thinking more about being healthy-eating right and exercising. And my class has become more than just running laps to them. Their really starting to see what it means to be healthy.” The P.E. teacher looks around to make sure there aren’t any English teachers near-by. “I’ve also been doing some writing myself…”

The math teacher smiles, “Yeah, I know what you’re saying. I guess it’s not as bad as we thought it would be. You should have heard us laughing in my math classes yesterday as we tried to write a mathematical proof showing why freshmen are mathematically inferior to seniors. Laughing in math class, who would have thought…”

References

Dean, Deborah (2006). Strategic Writing: The Writing Process and Beyond in the Secondary English Classroom. Urbana, IL; National Council of Teachers of English.

Ray, Katie Wood (2006). Study Driven: A Framework for Planning Units of Study in the Writing Workshop. Portsmouth, NH: Heinemann.

Spandel, Vicki (2005). The 9 Rights of Every Writer: A Guide for Teachers. Portsmouth, NH: Heinemann.

Strong, William (2006). Write for Insight: Empowering Content Area Learning, Grades 6-12. Pearson Education, Inc.

Tuesday, July 27, 2010

Funny things students say/do:

  • A Pronoun is a noun who has lost his amateur status.
  • Did we do anything yesterday when I was gone?